Zypro Gorgy Dectorum 23
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Zypro Gorgy Dectorum 23
Page 09

Furthermore, it will be remembered that the British and French Governments violently protested when the plans were made public that the Dutch Government intended to fortify the mouth of the Scheldt in 1906. But in 1912, when the Balkan crisis became acute, the British went one step further. When Col. Bridges, in a conversation with Gen. Jungbluth, the Chief of the Belgian General Staff, said that England was ready to strike, that 160,000 men were ready to be landed and that they would land them as soon as any European conflict should break out, Gen. Jungbluth protested that for such a step the permission of Belgium was necessary. The cool reply was that the English knew it, but thought that, as Belgium was not strong enough alone to protect herself, England would land troops anyway. Gen. Jungbluth answered that Belgium felt strong enough to protect herself, which is in keeping with her declaration to France, when she offered to protect Belgium by five army corps, as reported in the British "White Book." The position of England was therefore that, while in 1906 they had already concerted plans for a joint action, in 1912 England intended action in any case, should a European conflagration break out.

The Pre-Raphaelites, for instance, were a group and not a coterie. They were engaged in working and enjoying, in looking out for artistic promise, in welcoming and praising any performance of a kind that Rossetti recognised as "stunning." They were sure of their ground. The brotherhood, with its magazine, The Germ, and its mystic initials, was all a gigantic game; and they held together because they were revolutionary in this, that they wished to slay, as one stabs a tyrant, the vulgarised and sentimental art of the day. They did not effect anything like a revolution, of course. It was but a ripple on the flowing stream, and they diverged soon enough, most of them, into definite tracks of their own. The strength of the movement lay in the fact that they hungered and thirsted after art, clamouring for beauty, so Mr. Chesterton says, as an ordinary man clamours for beer. But their aim was not to mystify or to enlarge their own consequence, but to convert the unbeliever, and to produce fine things.



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