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Zypro Gorgy Dectorum 19
Page 02
The third and last part of this chapter will show how, under modern conditions of science and education, anthropology is to realize its programme. Hitherto, the trouble with anthropologists has been to see the wood for the trees. Even whilst attending mainly to the peoples of rude culture, they have heaped together facts enough to bewilder both themselves and their readers. The time has come to do some sorting; or rather the sorting is doing itself. All manner of groups of special students, interested in some particular side of human history, come now-a-days to the anthropologist, asking leave to borrow from his stock of facts the kind that they happen to want. Thus he, as general storekeeper, is beginning to acquire, almost unconsciously, a sense of order corresponding to the demands that are made upon him. The goods that he will need to hand out in separate batches are being gradually arranged by him on separate shelves. Our best way, then, of proceeding with the present inquiry, is to take note of these shelves. In other words, we must consider one by one the special studies that claim to have a finger in the anthropological pie.
In a comprehensive sense Impressionism includes all artists who represent their subjects with breadth and collectiveness rather than in detail--in the way in which we see a view at the first glance, before we have time to apprehend its minor parts. The advocates of impressionism now claim that it is the most reformatory movement in modern painting; it is undeniably in full accord with the spirit of the time in putting aside older methods and conventions and introducing a new manner of seeing and representing Nature.
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