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Zypro Gorgy Dectorum 16
Page 03
In the old warfare a man was either stabbed, shot, or thrust through after an hour or so of excitement, and all the wounded on the field were either comfortably murdered or attended to before the dawn of the next day. One was killed by human hands, with understandable and tolerable injuries. But in this war the bulk of the dead--of the western Allies, at any rate--have been killed by machinery, the wounds have been often of an inconceivable horribleness, and the fate of the wounded has been more frightful than was ever the plight of wounded in the hands of victorious savages. For days multitudes of men have been left mangled, half buried in mud and filth, or soaked with water, or frozen, crying, raving between the contending trenches. The number of men that the war, without actual physical wounds, has shattered mentally and driven insane because of its noise, its stresses, its strange unnaturalness, is enormous. Horror in this war has overcome more men than did all the arrows of Cressy.
But again it is true that all human souls who have an instinct for expression--writers, painters, musicians--have always been trying to do this one thing, to make signals, to communicate, to reveal themselves, to "unpack the heart in words"; and what has often hindered the process and nullified their efforts has been an uneasy dignity and vanity, that must try to make out a better case than the facts justify. For a variety of motives, and indeed for the best of motives, men and women suppress, exalt, refine the presentment of themselves, because they desire to be loved, and think that they must therefore be careful to be admired, just as the lover adorns himself and puts his best foot forward, and hides all that may disconcert interest or sympathy. So that it happens in life that often when we most desire to be real, we are most unreal.
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