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Zypro Gorgy Dectorum 11
Page 09
Living at the same time with these half-Italianized painters, and continuing later in the century, there was another group of painters in the Low Countries who were emphatically of the soil, believing in themselves and their own country and picturing scenes from commonplace life in a manner quite their own. These were the "Little Masters," the _genre_ painters, of whom there was even a stronger representation appearing contemporaneously in Holland. In Belgium there were not so many nor such talented men, but some of them were very interesting in their work as in their subjects. Teniers the Younger (1610-1690) was among the first of them to picture peasant, burgher, alewife, and nobleman in all scenes and places. Nothing escaped him as a subject, and yet his best work was shown in the handling of low life in taverns. There is coarse wit in his work, but it is atoned for by good color and easy handling. He was influenced by Rubens, though decidedly different from him in many respects. Brouwer (1606?-1638) has often been catalogued with the Holland school, but he really belongs with Teniers, in Belgium. He died early, but left a number of pictures remarkable for their fine "fat" quality and their beautiful color. He was not a man of Italian imagination, but a painter of low life, with coarse humor and not too much good taste, yet a superb technician and vastly beyond many of his little Dutch contemporaries at the North. Teniers and Brouwer led a school and had many followers.
For the last half of the reign of Henry II we have the advantage of a valuable and in some respects very interesting and attractive chronicle. This is the Gesta Regis Henrici Secundi, associated with the name of BENEDICT OF PETERBOROUGH (Rolls Series, 2 vols.). Benedict, however, was not the author, and no certain evidence as to who he was can be derived from any source, nor does the chronicle itself supply many of those incidental indications from which it is often possible to learn much regarding the author of an anonymous book. The tentative suggestion of Bishop Stubbs that it may have been written by Richard Fitz Neal, the author of the Dialogus de Scaccario, is now generally regarded as inadmissible. The work begins in 1170, and from a date a year or two later is evidently contemporaneous to its close in 1192, with perhaps a slight interruption at 1177. It is written in a simple and straightforward way, and with a sure touch, unusual accuracy of statement, and a clear understanding of constitutional details; it suggests an interesting personality in its author, with whom we constantly desire a closer acquaintance. Whoever he was, he possessed good sources of information, though apparently too great consideration for king or court keeps him sometimes from saying all he knows or believes, and he has inserted in his work many letters and important documents.
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