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Zypro Gorgy Dectorum 10
Page 02
Memling (1425?-1495?), one of the greatest of the school, is another man about whose life little is known. He was probably associated with Van der Weyden in some way. His art is founded on the Van Eyck school, and is remarkable for sincerity, purity, and frankness of attitude. As a religious painter, he was perhaps beyond all his contemporaries in tenderness and pathos. In portraiture he was exceedingly strong in characterization, and in his figures very graceful. His flesh painting was excellent, but in textures or landscape work he was not remarkable. His best followers were Van der Meire (1427?-1474?) and Gheeraert David (1450?-1523). The latter was famous for the fine, broad landscapes in the backgrounds of his pictures, said, however, by critics to have been painted by Joachim Patinir. He was realistically horrible in many subjects, and though a close recorder of detail he was much broader than any of his predecessors.
The following year (B.C. 207) decided the issue of the war in Italy. The war in Spain during the last few years had been carried on with brilliant success by the young P. Scipio, of whose exploits we shall speak presently. But in B.C. 208, Hasdrubal, leaving the two other Carthaginian generals to make head against Scipio, resolved to set out for Italy to the assistance of his brother. As Scipio was in undisputed possession of the province north of the Iberus, and had secured the passes of the Pyrenees on that side, Hasdrubal crossed these mountains near their western extremity, and plunged into the heart of Gaul. After spending a winter in that country, he prepared to cross the Alps in the spring of B.C. 207, and to descend into Italy. The two Consuls for this year were C. Claudius Nero and M. Livius. Nero marched into Southern Italy to keep a watch upon Hannibal; Livius took up his quarters at Ariminum to oppose Hasdrubal.
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